Pro. Networking bei "Explore Talent" [WDB/ESP]
Pro. Networking und Sozialen Kreis eins.
Pro. Networking und Sozialen Kreis zwei.
Pro. Networking und Sozialen Kreis drei
Viele tief und sehr unterschiedliche Musik
-Kanal-Einstellungen, & Soc-Net-Kreis Kiosk vier.
(Много дълбок и много различна музика-канален
настройки и социални мрежи кръг павилион номер.)
В режисьор за нов български филм крепост: die "Fives"
(За кино и музика и визуални странни стихове гилдия членове
- благородни хора от бъдещето ми дом на творческата
- свобода Ето, вземи го, ето го! "On The Fives")
Our Live International Queries Interface Professional: Gobi-Igloo/ESP's In-Office Spokesmodel and
Famous Burbank-Must-See, Dimples, Irregular, Sofia K. Lapa (else: please form-message us. Thanks!)
Here are new Espérance Film-Score 518
samples; we hope you like them. These sections are sketched,
as are our screenplays, on spec. belong within 4 different pieces;
tell which go where and you could actually model an eye-catching
Espérance 518 'T-shirt' for us in our promos! Even though
we work on spec, with no current funding, www.esperancesp.com is
a union shop, AFM, all AFL/CIO; and presumably, on official
approval, certain documented neighboring memberships; though
we compose using a very sagacious and loyal Dell mouse upon
e-paper via Noteflight.com, and other Open Source software run
on Linux RedHat, the best operating system extant, including
their support network, north of the redoubtably Penguin-Held
South Pole. 12 (coming up on 15) brief samples are linked to
below. Thank you for your kind, objective, open-minded interest.
We do hope you will check back often, finding well due rewards.
You can easily listen to each piece, while viewing its score,
by clicking the 'play' arrow at the lower left of each
of these 12 (soon, 15) linked-to dynamic pages. Instrument sound
files load first (efficiently, non-invasively) in a very few
seconds. You may be interested in the excellent noteflight.com
item listed at our www.esperancesp.com
News section. If, after listening to one selection, upon
loading a second or third, etc., you are presented with a white
screen where the musical score should appear, including (the
two) 'play' selection controls, just hold your shift key down as
you click a reload of the page. The site, noteflight.com, presents
no risk, nor does it download these files to your hard drive.
"It is easier to fight for one's principles than to live up to them." (Alfred Adler) -/=/-
"We do not believe any group of men adequate enough or wise enough to operate without scrutiny
or without criticism. We know that the only way to avoid error is to detect it, that the only
way to detect it is to be free to inquire. We know that in secrecy error undetected will flourish
and subvert." (J. Robert Oppenheimer) -/=/- Nil sapientiae odiosius acumine nimio ["Nothing is
more hateful to wisdom than too much cunning." (attrib. Seneca)] -/=/- "You can discover what
your enemy fears most by observing the means [s]/he uses to frighten you." (Eric Hoffer)
-/=/- "I hate journalists. There is nothing in them but tittering jeering emptiness. They have all
made what Dante calls the Great Refusal. The shallowest people on the ridge of the Earth." (W.B. Yeats)
-/=/- "Were I called on to define, very briefly, the term Art, I should call it 'the reproduction
of what the Senses perceive in Nature through the veil of the soul.' The mere imitation, however
accurate, of what is in Nature, entitles no man to the sacred name of 'Artist.'" (Edgar Allan Poe)
-/=/- "Have you ever seen the rubes take a carnival
apart after they've wised up?" (William S. Burroughs) -/=/- "For many men — those who encounter
such things — do not understand them, and do not grasp them after they have learnt; but to
themselves they seem [to understand]." ([from the fragments of the pre-Socratic] Heraclitus of Ephesus)
-/=/- "The strategic adversary is fascism... the fascism in us all, in our heads and in our everyday
behavior, the fascism that causes us to love power, to desire the very thing that dominates and exploits
us. (Michel Foucault) -/=/- "After all manner of professors have done their best for us, the place we are to get knowledge is
in books. The true university of these
days is a collection of books." (Albert Camus)
Reclaim your mind - Read this book!!, December 31, 2008
by Andrea Mcclerren (Lopez, WA USA) // This review is from: Weapons of Mass Instruction:
A Schoolteacher's Journey through the Dark World of Compulsory Schooling (Hardcover) This book
and Gatto's earlier work, "Dumbing Us Down", were life-changing reads for me and my wife. We
have been set free to live our own lives. We are going to let our children grow up with that
freedom and take their own education. Largely due to this book I have decided to aggressively
further my own education in order to live a truly fulfilling life and make a positive contribution
to my country. I discovered, as I hope you do, that MIT has made their entire undergrad/grad
program online FREE-FOR-ALL. Just Google "MIT OPEN".
Regarding what is dis-junct and what is merely junct: "CalArts Critical Studies Visiting Artist 2005-10-19: Mathew Timmons (October 19, 2005) CalArts Critical Studies Writing Arts class (instructor of record: Andrew Berardini) hosted visiting artist Mathew Timmons on October 19, 2005. Mathew is currently working on The Collected Works of Robert Darry, an
experimental novel that catalogs and makes use of various avant-garde writing techniques. He will be attending the Yaddo art colony in spring 2006 and Vermont
Studio Center in summer 2006. His performance included: [] Merzonette (3rd mvmt, from The Collected Works of Robert Darry) by Mathew Timmons [] Seepferdchen und
Flugfische (Seahorses and Flyingfish) by Hugo Ball [] Karawane (Caravan) by Hugo Ball [] Motorized Razors (from the Cyborg Opera) a work in progress by Christian
Bök [] Mushroom Clouds (from the Cyborg Opera) a work in progress by Christian Bök [] Erster tell (1st mvmt of the Ursonate) by Kurt Schwitters [] If I Told Him:
A Completed Portrait of Picasso by Gertrude Stein. His main areas of interest lie in the writings of the avant-garde, experimental fiction and poetics."
[Click play on the black bar below.] — I wonder if Tim's available for The ViPo Reading Project [at union scale]? Mention is quite properly given by M.T.
to the arts (and science not-uninvolved) site UBU.com. Also see, in an attempt to rightfully compliment Mathew Timmons:
the following other wonderful early collaboration within the avant-garde's use of human voice: Thema (Omaggio a Joyce)
1958. For mezzo-soprano [Cathy Berberian] and tape. General Site Friendly User Note: You can always use the PHP chat-like message board top right of this site.
Just enter a Nick in the first field of the somewhat daunting looking interface and press enter. We would love to hear apropos comments and other, perhaps
only ("Every event has a thousand accomplices." —J.L. Borges) laterally semi-cogent, thoughts. Note: Disjunct \Dis*junct"\ (d[i^]s*j[u^][ng]kt"), a. [L. disjunctus, p. p. of disjungere to disjoin. See {Disjoin}, and cf. {Disjoint}.] 1. Disjoined; separated. [R.] 2. (Zool.) Having the head, thorax, and abdomen separated by a deep constriction. {Disjunct tetrachords} (Mus.), tetrachords so disposed to each other that the gravest note of the upper is one note higher than the acutest note of the other. [1913 Webster]
Sofia
Kiev
Lapa
